"Oshagan had recently published a book of photography, displaced, about the Armenian ghetto of Bourj Hammoud in Beirut. His first foray into short filmmaking, a short experimental video in Western Armenian called “Resurrection Myth” had screened on several continents at festivals and won an important award. Recently returned from an invitation-only trip to South Korea, he was now scrambling to fill Tufenkian Fine Arts which had offered him their entire gallery space to exhibit his work."
A Critical Exclusive: Ara Oshagan Is an Art World Triple-Threat
Christopher Atamian, The Armenian Mirror-Spectator, February 10, 2022